2014³â 12¿ù 28ÀÏ 19:00ºÎÅÍ ¼Õ³àµþ ÈÖ¸²ÀÌ ÈÖ¼ö°¡ Æ÷ÇÔµÈ 'ä¼±°æ Á¦ÀÚ À½¾Çȸ'°¡ Çö´ë¹éÈÁ¡ ¾Ð±¸Á¤º»Á¡ º°°ü ÅäÆÄÁîȦ¿¡¼ ¿·È´Ù. ÇҾƹöÁö, ÇÒ¸Ó´Ï, ¾Æºü, ¾ö¸¶°¡ Âü°üÇÏ°í °´¼®¿¡¼ ÂïÀº Ã⿬ÀÚ Àü¿ø»çÁøÀ¸·Î ¾Ù¹üÀ» ²Ù¸ì´Ù.
|
ÃÊûÀå |
|
|
|
¾È³»Àå Ç¥Áö |
|
|
|
ä¼±°æ¼±»ý´Ô Àλ縻¾¸ |
|
|
|
Ã⿬ÀÚ15¸í°ú ¼Õ³àµþ ÈÖ¸², ÈÖ¼ö |
|
|
|
|
|
|
|
ÇÁ·Î±×·¥ |
|
|
|
|
|
|
|
ÃàÇÏȺР|
|
|
|
ÀÌÁÖÇü, ±è³ª¸°, ȲÁöÈ£, À¯ÇϺö ÇÕÁÖ |
|
G.F. HandelÀÇ Sarabande(Trio) |
|
ÇѼº¹Î |
|
|
|
|
|
S.ProkofievÀÇ Sonata No.2(1¾ÇÀå) |
|
ÀÌÁÖÇü |
|
|
|
|
|
G.F. HandelÀÇ Sonata No.2(1,2¾ÇÀå) |
|
ȲÁöÈ£ |
|
|
|
|
|
|
|
|
|
H.SteckmestÀÇ Fantasie "On wings of song" |
|
±è³ª¸° |
|
|
|
|
|
C.W. GluckÀÇ Ballet des Champs-Elysees |
|
À¯ÇϺó, ÇѼº¹Î |
|
|
|
|
|
G.BizetÀÇ Menuet de "L'Arlesienne" |
|
±è°¡Çü |
|
|
|
|
|
F. PoulencÀÇ Sonata(2¾ÇÀå) |
|
ÀÌÈÖ¼ö |
|
|
|
|
|
G. DonizettiÀÇ Sonata(1¾ÇÀå) |
|
À¯ÇϺó |
|
|
|
|
|
J. HaydnÀÇ Concerto in D Major(1¾ÇÀå) |
|
°æµµÇö |
|
|
|
|
|
P. Morlacchi ÀÇ Il Pastore Svizzero |
|
ÀÌÈÖ¸², Á¤Áö¼ö |
|
|
|
|
|
L.v. BeethovenÀÇ Allegio and Menuettt(Duet) |
|
ȲÁ¤Å |
|
|
|
|
|
C. ChaminadeÀÇ Concertino op.107 |
|
¾çÁÖ¿ø |
|
|
|
|
|
A.F. DopplerÀÇ Fantasie Pastorale Hongroise-Molto Andante |
|
À̳ª°æ |
|
|
|
|
|
C.ReineckeÀÇ Sonata op. 167-Undine(1¾ÇÀå) |
|
ÀÌ´ÙÇö |
|
|
|
|
|
A.F. DopplerÀÇ Fantasie Pastorale Hongroise-Aiiegro |
|
ÀÌÀçÀÎ |
|
|
|
|
|
F. SchubertÀÇ Variationen uber das Lied-Trockne Blumen |
|
ȲÁ¤ÅÂ,À̳ª°æ,ÀÌÀçÀÎ,°æµµÇö,¾çÁÖ¿ø,ÀÌ´ÙÇö,ÀÌÈÖ¼ö,±è°¡°æ |
|
|
|
|
|
A.F. DopplerÀÇ Andante and Rondo |
|
Á¾·á Àλç |
|
|
|
|
|
|
|
Á¾·áÈÄ ÈÖ¸²ÀÌ, ÈÖ¼ö |
|
|
|
|
|
ÇҾƹöÁö, ÇÒ¸Ó´Ï, ¾Æºü¿Í ÇÔ²², ¾ö¸¶´Â ¿Ê ì±â·Á°¡¼ ºüÁ³´Ù. |
|
¾ÆÆÄÆ® ÈĹ® ¾ß°æ |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
¾ÆÆÄÆ® Á¤¹® ¾ß°æ |
|
|
|
|
|
|
|
|
|
|
³¡ |